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Eighty-Nine Words / Prague: A Disappearing Poem
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ISBN
978-619-02-1484-7
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Rating (7)
5 7
Language
Bulgarian
Format
Paperback
Size
12/20
Weight
95 gr.
Pages
88
Published
23 August 2024

Eighty-Nine Words / Prague: A Disappearing Poem

IRONY. Which character is right and which is wrong? Is Emma Bovary unbearable? Or bold and touching? No answer. The novel is by its very essence an ironic art, which means: its "truth" is hidden, unspoken and unutterable. Man wishes to see the simplified image of the world in which good is clearly distinguished from evil. With quixotic heroism, the novel opposes this ineradicable demand, revealing to us the essential ambiguity of everything human. Irony is not a personal attitude of one or another writer. It belongs to the novel as art. Irony = the way to show the ambiguous. (From Eighty-Nine Words)

"Prague, this dramatic and suffering centre of Western destiny, is gradually fading away into the mists of Eastern Europe, to which it has never really belonged. This city – the first university town east of the Rhine, the scene in the fifteenth century of the first great European revolution, the cradle of the Reformation, the city where the Thirty Years War broke out, the capital of the Baroque and its excesses – this city tried in vain in 1968 to westernize a socialism ‘that came in from the cold." (From Prague: A Disappearing Poem)

About the Author
Milan  Kundera

Before starting a biography of Milan Kundera, it seems appropriate to quote from his excellent novel Immortality: "Biography: sequence of events which we consider important to our life. However, what is important and what isn't? Because we ourselves don't know (and never even think of putting such a silly question to ourselves) we accept as important whatever is accepted by others, for example, by our employer, whose questionnaire we fill out: date of birth, parents' occupation, schooling, changes of occupation, domicile, marriages, divorces, births of children, serious diseases. It is deplorable, but it is a fact: we have learned to see our own lives through the eyes of business or government questionnaires..."

Milan Kundera was born in Brno, Czechoslovakia in 1929. Appropriately for someone whose first novel was "The Joke", Kundera was born on 1 April. His father was a well-known pianist and Milan himself was a jazz musician for a while. Indeed music is an important theme in his writing. He became a professor at the Prague Institute for Cinematographic Studies, where his students included Milos Forman.

Although Kundera went on to write many novels, his first major publication was "The Art of the Novel" in 1960. In 1968 the Soviet Union invaded Czechoslovakia and Kundera's books were banned and removed from libraries. In 1975 he accepted a professorship at Rennes University in France. Later he moved to Paris, and in 1981 became a French citizen.

Although Kundera was already established, the publication of "The Unbearable Lightness of Being" in 1984 secured huge critical and popular acclaim. Readers of his work from around the world should be aware that Kundera is "very concerned that I should be translated faithfully". When publishers in America and England made cuts in "The Joke" Kundera disclaimed all responsibility. For many years he had only been published outside his native land and understandably therefore he places a particular importance on translations of his work. When "Immortality" won The Independent Foreign Fiction Award in 1991, Kundera wrote: "First, of all the people in the world, they [The English] have the greatest sense of humour; second, their behaviour is distinguished by what one calls understatement. Forgive me this naive, simplistic, very cliched vision of the English and allow me to keep it. The sense of humour and understatement (a characteristic so agreeably un-Slav) are qualities which are extraordinarily dear to me and I would like to hope they are the qualities of my novels". 

“The Unbearable Lightness of Being” has catapulted Kundera to the heights of undisputed global fame, labeling him the greatest novelist of his country for the twentieth century. Even though refusing to be read as a political dissident, the Nobel Prize for Literature contender Kundera is profoundly engaged in the social destiny of Czechoslovakia during the Communist era, nevertheless using philosophy and metaphysics to transcend the immediate and effervescent, in relation to eternity, human condition. Deeply poetic and multi-layered, his oeuvre is considered a never-ending journey through the labyrinth of life’s fundamentals: love, exile, identity, forgiveness, pleasure and sorrow.

Print Edition
Print Edition
ISBN
978-619-02-1484-7
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Price
14.24 lv.
(16.00 lv.)

* 11% online discount
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