Mikhail Bulgakov's The Life of Monsieur de Molière is a fascinating portrait of the great French seventeenth-century satirist by one of the great Russian satirists of our own century. For Bulgakov, Molière was an alter ego whose destiny seemed to parallel his own.
As Bulgakov's translator, Mirra Ginsburg, informs us: There is much besides their craft that links these two men across the centuries. Both had a sharp satirical eye and an infinite capacity for capturing the absurd and the comic, the mean and the grotesque; both had to live and write under autocracies; both were fearless and uncompromising in speaking of what they saw, evoking storms with each new work, and shared what Bulgakov calls "the incurable disease of passion for the theater."
The life of Molière, born Jean-Baptiste Poquelin, is a story of struggle and dedication, and Bulgakov tells it with warmth and compassion. Indeed, for all Bulgakov's careful attention to historical detail, his vivid recreation of seventeenth-century France makes The Life of Monsieur de Molière read more like a novel than a formal biography.