In this memoir, David Lynch - co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive - opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has faced - sometimes successful, sometimes not - to bring his projects to fruition.
Part-memoir, part-biography, Room to Dream interweaves Lynch's own reflections on his life with the story of those times, as told by Kristine McKenna, drawing from extensive and explosive interviews with ninety of Lynch's friends, family members, actors, agents, musicians and collaborators. Lynch responds to each recollection and reveals the inner story of the life behind the art.
Born in 1946 in Missoula, Montana, David Lynch was raised in small town America. After high school, he went to Boston to attend the School of the Museum of Fine Arts. Shortly after that, he planned a 3 year trip to Europe to work on his art, but didn't take it and left after 15 days. In 1977, he released his first film Eraserhead (1977), which, although not critically acclaimed, was noticed by many people, including Francis Ford Coppola, who was rumored to have screenings of it for his cast and crew on the Apocalypse Now (1979) set. After a stream of visually stunning films such as Blue Velvet (1986), Lost Highway (1997) and Mulholland Dr. (2001). All these films, and a few more, beginning with Blue Velvet (1986), and including his Twin Peaks (1990) TV series, feature what has now been added to signature Lynch features, such as vibrant colors, the use of dreams and amazing montage to connect character thought and multiple emotions into one sequence. In addition to that, since Blue Velvet (1986), Lynch has gained the reputation of one of the foremost auteurs in the filmmaking industry, and one of the few living auteur's who continually defies both cinematic convention and the Hollywood curse. His films continually represent his ideal that films representing life should be complicated, and, in some cases and sequences, be inexplainable. I'm sure he knows why he puts the scenes and shots and props and cuts and effects and filters and lights and colors and actors and costumes and music in the scenes, but he'll never tell anyone else. For this reason, and due to the beautiful confusion of his films, he will always be recognized as one of the greatest filmmakers, one of the most original. Lynch is a creative master, and even if his films aren't necessarily realistic, they are real in their representation of what life is: a confusing, irrational series of random events that truly have little purpose, and one makes their own interpretation of every event, giving their life purpose personally. Lynch wants his films to resonate emotionally and instinctively, and for every person to relate and make their own understanding. As he said "Life is very, very confusing, and so films should be allowed to be, too". David Lynch is original. He has done things in filmmaking that D.W. Griffith did in his day. David Lynch will never stop making beauty on the screen.
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