Malik Solanka, historian of ideas and world-famous dollmaker, steps out of his life one day, abandons his family in London without a word of explanation, and flees for New York. There’s a fury within him, and he fears he has become dangerous to those he loves. He arrives in New York at a time of unprecedented plenty, in the highest hour of America’s wealth and power, seeking to “erase” himself. But fury is all around him. An astonishing work of explosive energy, Fury is by turns a pitiless and pitch-black comedy, a love story of mesmerizing force, and a disturbing inquiry into the darkest side of human nature.
“Rushdie’s ideas–about society, about culture, about politics–are embedded in his stories and in the interlocking momentum with which he tells them. . . . All of Rushdie’s synthesizing energy, the way he brings together ancient myth and old story, contemporary incident and archetypal emotion, transfigures reason into a waking dream.” – Los Angeles Times Book Review
“Well, here it is, then, his first 3-D, full-volume American novel, finger-snapping, wildly stupefying, often slyly funny, red-blooded and red-toothed. [Fury] twinkles brightly in tragicomic passages.” – The Miami Herald
“Salman Rushdie’s great grasp of the human tragicomedy – its dimensions, its absurdities and horrors – has made him one of the most intelligent fiction writers in the English language.” – Gail Caldwell, The Boston Globe
“Fury is a profoundly, ecstatically affirmative work of fiction. It reaffirms Rushdie’s standing . . . at the very front rank of contemporary literary novelists.” – Baltimore Sun
Sir Ahmed Salman Rushdie (born 19 June 1947) is a British Indian novelist and essayist. He became famous with his second novel, Midnight's Children (1981), which brought to him the Booker Prize in 1981. Much of his early fiction is set on the Indian subcontinent. His style is often classified as magical realism mixed with historical fiction, and a dominant theme of his writing is the story of the many connections, disruptions and migrations between the Eastern and Western world.
If India was once the pearl in the crown of the ex-British Empire, the Bombay-born Salman Rushdie is a priceless jewel of his own in the realm of the contemporary English literature. Irreverent, fearless and constantly on the hunt for new, forever more enchanting universes to be discovered, the British-Indian writer has so far built, both through his literary opus magnum and through his public engagements, a reputation of a highly praised and highly controversial modern times genius. His second novel “Midnight Children’ (1981), a masterful depiction of the metamorphoses in post-colonial India, was immediately spotted by the critics and won the Man Booker prize. Upon the publishing of his “Satanic Verses” (1988), probably the most discussed and scandalous piece of modern prose, atrociously accused of being a blasphemy on the Muslim world, humanity turned over night into a pack of insatiable readers. “Shame” (1983) fuses magic and historical realism, in an almost indiscernible fashion, to create of tortured portrait of Pakistan. In 2007 Salman Rushdie was appointed a Knight Bachelor by Her Majesty Elizabeth II for “services in literature”.
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