Set in late 1980s Europe at the time of the fall of the Berlin Wall, Black Dogs is the intimate story of the crumbling of a marriage, as witnessed by an outsider. Jeremy is the son-in-law of Bernard and June Tremaine, whose union and estrangement began almost simultaneously. Seeking to comprehend how their deep love could be defeated by ideological differences Bernard and June cannot reconcile, Jeremy undertakes writing June's memoirs, only to be led back again and again to one terrifying encouner forty years earlier - a moment that, for June, was as devastating and irreversible in its consequences as the changes sweeping Europe in Jeremy's own time. In a finely crafted, compelling examination of evil and grace, Ian McEwan weaves the sinister reality of civiliation's darkest moods - its black dogs - with the tensions that both create love and destroy it.
McEwan was born in Aldershot in England and spent much of his childhood in the East Asia, Germany and North Africa where his father, an officer in the army, was posted. He was educated at the University of Sussex and the University of East Anglia, where he was the first graduate of Malcolm Bradbury's pioneering creative writing course.
McEwan's works have earned him worldwide critical acclaim. Among the many litarary prizes are the Somerset Maugham Award in 1976 for his first collection of short stories "First Love, Last Rites"; Whitbread Novel Award (1987) and Prix Fémina Etranger (1993) for "The Child in Time"; and Germany's Shakespeare Prize in 1999. He has been shortlisted for the Booker Prize for Fiction three times, winning the award for "Amsterdam" in 1998. His novel "Atonement" received the WH Smith Literary Award (2002), National Book Critics' Circle Fiction Award (2003), Los Angeles Times Prize for Fiction (2003), and the Santiago Prize for the "European Novel" (2004). He is also a Fellow of the Royal Society of Literature, a Fellow of the Royal Society of Arts, and a Fellow of the American Academy of Arts and Sciences.
The 1997 novel “Enduring Love”, investigating the unsettling relationship between a science journalist and an obsessive stalker, made McEwan a pioneer setting the golden standard for the so-called neuronovel. “Atonement” (2001), turned quickly into an Oscar-winning movie, made him a global celebrity. Both commercially and critically acclaimed, Ian McEwan just won the Jerusalem Prize for the Freedom of the Individual in Society, a prize that validates him once again as a contemporary humanist, whose work still challenges the limits of our senses and sensibilities in this forever changing world.
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