Chasing the Light
An intimate memoir by the controversial and outspoken Oscar-winning director and screenwriter about his complicated New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface.
Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while driving taxis in New York, finally venturing westward to Los Angeles and a new life. Stone, now 75, recounts those formative years with in-the-moment details of the high and low moments: We see meetings with Al Pacino over Stone’s scripts for Scarface, Platoon, and Born on the Fourth of July; the harrowing demon of cocaine addiction following the failure of his first feature, The Hand (starring Michael Caine); his risky on-the-ground research of Miami drug cartels for Scarface; his stormy relationship with The Deer Hunter director Michael Cimino; the breathless hustles to finance the acclaimed and divisive Salvador; and tensions behind the scenes of his first Academy Award–winning film, Midnight Express.
Chasing the Light is a true insider’s look at Hollywood’s years of upheaval in the 1970s and ’80s.
Oliver Stone
William Oliver Stone (born September 15, 1946) is an American film director, producer and screenwriter. He won an Academy Award for Best Adapted Screenplay as writer of Midnight Express (1978), and wrote the gangster film remake Scarface (1983).
Stone achieved prominence as writer and director of the war drama Platoon (1986), which won Academy Awards for Best Director and Best Picture. Platoon was the first in a trilogy of films based on the Vietnam War, in which Stone served as an infantry soldier. He continued the series with Born on the Fourth of July (1989), for which Stone won his second Best Director Oscar, and Heaven & Earth (1993).
Many of Stone’s films focus on controversial American political issues during the late 20th century, and as such were considered contentious at the times of their releases. They often combine different camera and film formats within a single scene, as demonstrated in JFK (1991), Natural Born Killers (1994), and Nixon (1995).
