Crash
In this hallucinatory novel, the car provides the hellish tableau in which Vaughan, a "TV scientist" turned "nightmare angel of the highways," experiments with erotic atrocities among auto crash victims, each more sinister than the last. James Ballard, his friend and fellow obsessive, tells the story of this twisted visionary as he careens rapidly toward his own demise in an intentionally orchestrated car crash with Elizabeth Taylor.
A classic work of cutting edge fiction, Crash explores the disturbing potentialities of contemporary society's increasing dependence on technology as intermediary in human relations.
J. G. Ballard
James Graham Ballard (15 November 1930 – 19 April 2009) was an English novelist, short story writer, and essayist. He came to be associated with the New Wave of science fiction early in his career with apocalyptic (or post-apocalyptic) novels such asThe Wind from Nowhere (1961) and The Drowned World (1962). In the late 1960s, Ballard produced a variety of experimental short stories (or "condensed novels"), such as those collected in the controversial The Atrocity Exhibition (1970), which drew comparisons with the work of postmodernist writers such as William S. Burroughs. In the mid 1970s, he published several novels, among them the highly controversial Crash (1973), a story about symphorophilia and car crash fetishism, and High-Rise (1975), a depiction of a luxury apartment building's descent into violent chaos.
While much of Ballard's fiction is thematically and stylistically provocative, he is perhaps best known for his relatively conventional war novel, Empire of the Sun (1984), a semi-autobiographical account of a young British boy's experiences in Shanghai duringJapanese occupation. Described by The Guardian as "the best British novel about the Second World War", the story was adapted into a 1987 film by Steven Spielberg starring Christian Bale. In the following decades until his death in 2009, Ballard's work shifted toward the form of the traditional crime novel, while several of his earlier works were made into films, including David Cronenberg's controversial 1996 adaptation of Crash and later Ben Wheatley's 2015 adaptation of High-Rise.
