Many of the trademarks we have come to expect in McEwan novels are already here in this early novel published in the U. S. in 1981, the ironic title, the complexity, the psychological tension, the ambiguities, the questions left unanswered. If you had already seen the movie it would be difficult not to see Rupert Everett and Natasha Richardson getting lost in those maze-like alleys in Venice. (Nowhere in this slim novel, however, does McEwan name the city where the sinister action takes place.) McEwan does an excellent job of setting the tone for what ultimately occurs early in the novel. As early as page 17: "Colin and Mary had never left the hotel so late, and Mary was to attribute much of what followed to this fact." There are lots of references to the sexual tension between men and women in addition to many homoerotic allusions throughout the book that prepare you, at least in part, for the shattering climax of this horrific little novel.
McEwan always gives the reader a story that appeals both to the intellect and the emotions. As usual, he doesn't disappoint us. One of the joys of living in these times is awaiting a new McEwan novel.