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Нощ и ден
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978-619-150-892-1
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5 5
Format
Paperback
Size
13/20
Weight
525 gr.
Pages
520
Published
21 October 2016

Night and Day

Katharine Hilbery is beautiful and privileged, but uncertain of her future. She must choose between becoming engaged to the oddly prosaic poet William Rodney, and her dangerous attraction to the passionate Ralph Denham. As she struggles to decide, the lives of two other women - women's rights activist Mary Datchet and Katharine's mother, Margaret, struggling to weave together the documents, events and memories of her own father's life into a biography - impinge on hers with unexpected and intriguing consequences. Virginia Woolf's delicate second novel is both a love story and a social comedy, yet it also subtly undermines these traditions, questioning a woman's role and the very nature of experience. 

This project has been funded with support from the Creative Europe Programme of the European Commission.

Creative Europe Programme

About the Author
Virginia  Woolf

Virginia Adeline Woolf (née Stephen) (January 25, 1882 – March 28, 1941) was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels "Mrs Dalloway" (1925), "To the Lighthouse" (1927), and "Orlando" (1928), and the book-length essay "A Room of One's Own" (1929) with its famous dictum, "a woman must have money and a room of her own if she is to write fiction." 

If one is to narrow the list of stream-of-consciousness’ founders of modern literature, one would inevitably highlight a very special woman with a room of her own – Virginia Woolf. A pioneer of feminist literature, a scandalous public figure with a fragile sexuality, a profoundly talented novelist and a tragic figure in her own way, Woolf is an embodiment of the flight for freedom of expression during the darkest years of the past century. Her great novels ‘Mrs. Dalloway” (1925) and “Orlando” (1928) are a remarkable experiment of capturing and grasping the effervescence of human life, the irreversible passage of time and the futile remains of the day. Committing suicide in 1941, Virginia Woolf took with herself the deep and tender secret of her own life, yet she bequeathed to the world a delicate and sophisticated glimpse at it to be savoured in reverent silence.

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